John Little, the artist whose brush captured the grit and attraction of Montreal’s working-class neighbourhoods and the individuals who lived there, has died.

Little, who was 96, died in his sleep on Monday evening.

In interviews, two of his shut pals described him as an excellent painter who ignored artwork world tendencies and centered on what he cared for many: the individuals and the communities he liked.

Terry Mosher, a cartoonist for The Montreal Gazette and an in depth good friend of Little’s — additionally his godson — recalled how, as a boy, he would watch Little work in his downtown studio. On the time, Mosher’s household lived above the place Little lived together with his spouse.

He would sit within the studio, discuss sports activities and watch Little toil over canvases, surrounded by mementos and magazines, the odor of linseed oil within the air.

two men smiling
Terry Mosher, prime, with John Little, backside. (Submitted by Terry Mosher)

They grew shut and, although he did not realize it on the time, Mosher believes these conversations within the studio influenced him to start his personal profession as an artist. Even at the moment, Mosher’s studio appears to be like a lot the way in which Little’s as soon as did.

Little was born on Feb. 20, 1928. He took to artwork early, learning in Montreal and New York Metropolis. However college “wasn’t that necessary to him,” Mosher stated. “He simply needed to color.”

He additionally needed to expertise the colourful coronary heart of the town. His good friend, the gallerist Alan Klinkhoff who wrote a ebook about Little, stated Little haunted the New York jazz golf equipment, would sneak into cabarets on St-Urbain Road earlier than he was of authorized age and loved lengthy nights in downtown bars, surrounded by individuals.

people skating
Faubourg à m’lasse, Dorion Road, 1965, painted by John Little. The neighbourhood was razed to make approach for the Maison Radio-Canada. (Submitted)

“He liked the vibrancy and the heart of lifetime of the town centre,” Klinkhoff stated.

As a younger man, he labored as a draftsman at his household’s architectural agency the place he perfected his eager eye for construction, however, after he met his spouse, Lorraine, on a visit to the East Coast, he determined to take up portray full time.

He devoted his efforts to capturing the issues he already knew he liked: road scenes and working-class neighbourhoods in Montreal, Quebec Metropolis and within the Quebec countryside.

He painted neighbourhoods that had been altering, even disappearing, Klinkhoff stated. Cities throughout North America, and Montreal specifically, had been tearing down neighbourhoods to construct highways and high-rises, forcing individuals out of city centres and into suburbs.

neighbourhood in the snow
Winter scenes, like this one, painted simply earlier than Expo 67 in Montreal, seem usually in Little’s work. (Submitted)

A few of these neighbourhoods stay immortalized in Little’s work: the rowhouses of Le Faubourg à m’lasse, which was razed to construct the Maison Radio-Canada; the yard rinks and household houses within the Sud-Ouest borough the place at the moment there are tall, glass-clad condos and a freeway.

His work earned him success; at the moment a few of them promote for tens of hundreds of {dollars}. Critics admired his eye for gentle and skill to characterize the nippiness of winter.

However Mosher thinks his success additionally got here from his work’s common attraction. He painted pictures that spark recollections in most Montrealers.

Little painted a number of covers for Maclean’s journal. One, revealed in 1959, reveals women and men seated on their balconies, watching a baseball sport within the distance on the previous Delorimier Stadium, which is now gone. 

people watching a baseball game
John Little’s work graced the quilt of Maclean’s journal. This portray reveals a view of individuals sitting on their balconies watching a baseball sport at a stadium that not exists. (Submitted)

The 1959 cowl is a portray that, to Mosher, represents the precise type of scene Little loved: a slice of working-class life — and a sprinkling of sports activities. He may speak about baseball for hours.

However Mosher stated he’ll most cherish the intimate sketches Little made for his household and pals. Whereas in New York, Little dabbled as a cartoonist, and he would ship customized caricatures to family members.

If Mosher was heading to Paris, say, Little would ship him a sketch exhibiting Mosher carrying a beret — if he was going to Maine, the sketch would present Mosher and his household sitting at a crab shack.

“Actual private treasures,” Mosher stated. They’re reminders of Little’s reliable character and the love he confirmed these he was shut with. “It is an actual loss for me as a result of he is not there anymore,” Mosher stated. “He was simply anyone I may speak in confidence to and in addition he made me giggle. He was one of many funniest individuals I ever knew.”

“This one actually hurts. I’ll miss him dreadfully.”

Mosher stated Little was a faithful husband and a loving father. He’s survived by his two sons, Brian and Roger.

His spouse, Lorraine, whom he liked dearly and was hardly ever other than, died in 2016.

Little did virtually no interviews all through his profession, Klinkhoff stated. He was self-effacing and offered a shy exterior; he would deflect conversations away from himself and his work, preferring to make jokes or discuss sports activities.

“These individuals who know him will do not forget that side of him, his sense of humour,” Klinkhoff stated. “He was simply fantastic, fantastic firm.”



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